Neil MacPherson RSA, RSW, RGI
Love is a Strange Place 16th October till 30th November
View the catalogue here:
Shortly after the the first lockdown at a time when we were allowed to venture out tentatively, I had it in my mind to go on a studio visit to see Neil Macpherson and hopefully collect a couple of paintings that might freshen up the work in the gallery, on the lead up to to the festive period.
Neil was welcoming as always but nonetheless apprehensive about the visit, understandable as himself and his family had been rigorously adhering to the rules of Lockdown.
What greeted me as I entered the studio was the most delightful surprise, an Aladdin’s cave of painted treasures. Clearly he had immersed himself into his painting during the lockdown period. A rich body of work hung all around the studio and clearly the opportunity for a one man show presented itself. Day to day his working process had remained very much the same. Far from being overwhelmed by the turmoil that had engulfed the lives of us all around the world. A time when we were forced to endure long periods of isolation and uncertainties, amid fears for ourselves and our loved ones. Neil ever the artist chose to embrace rather than shy away from all of those emotions and somehow challenge himself to speak honestly and freely about the influence it has had on himself and his work.
It is a rare mature talent that is on show here, a distinctive voice perhaps less sure of the outcomes that has surprised us and perhaps himself once again.
Neil Macpherson is a wonderfully inventive painter with a superb use of colour.
His paintings revolve around a beautiful narrative that draws in the viewer curious to discover more about this surreal, poetic world that he creates /inhabits.
Its always a pleasure to introduce Neils work to people for the first time. Although he is a regular to be found in the gallery, it’s a rare treat to be able to bring together his work for a one man show.
Gordon Brown, Brown’s Gallery
New Ceramics by
Michele Bianco and Nigel Webster
Group Exhibition 2020
John Byrne Sailor self Portrait
Liz Douglas Moth Drawing
25th Anniversary 25 Artists Exhibition
24th September -28th October 2018
Lunation 20th August- 8th September 2018
In ‘Lunation’, the artists work is reflected back in the mirror of the moons phases. New beginnings the trials and joys of fatherhood and an awareness of the times passing that often accompanies such milestones in ones life.
Artist are often perceived as on the outside looking in, as opposed to, on the inside looking out. I tend to think the better ones get to choose and to a certain degree do both without drawing too much attention to themselves. The best embrace all that life offers and it makes them stronger for it. Clearly being able to reflect and communicate those emotions back into painting, channelling much of that energy in a positive place, is what separates the artists from the rest.
Time passing becomes hugely important to artists, as they strive to make the most of it, acutely aware that it is precious.
In ‘Lunation’, Allan presents us with many exquisite moments, records of time spent looking out and into familiar landscapes.
Cromarty Trees 30th July -14th August 2018
Sublime Adventures 25th June - 14th July 2018
Browns Gallery is delighted to host this exhibition of new works by Matthew Draper. We have been showing his work for a number of years now. However, this is the first time we have had the opportunity to bring such an exciting group of new work together, for his first one man show in the Highlands.
Matthew has been living and working in his adopted home city of Edinburgh for more than 22 years. In recent years he has been drawn to the Highlands, visiting and returning again and again to the same places, to further explore and familiarise himself with these dramatic landscapes.
Sublime Adventures is a collection of work inspired directly by the Highlands, by places visited as he ventured out from the city in search of Scotland’s wilder places. It also reflects his deep affection for the city itself, still fascinated by its constantly changing light and moods, as evident in his Polluted Haar series.
It may perhaps be an obvious thing to say but it’s important to experience Matthew Draper’s work first hand. To encounter his large scale pastels first time around is a memorable experience most people are not quite prepared for — stunning and arresting with a distinct presence. Then once our eyes have adjusted, there is a subtlety of colour and tone that a photographic image just cannot convey. As we explore them further the sheer beauty of what he has presented begins to sink in. Our eyes enjoy mixing colour and focusing on details that closer inspection of the surface appears to contradict. A surface that reveals very little of the complexity that exists when you step far enough away. In Matthew Draper’s hands, pastel seems the perfect medium to capture the ever changing source of light as it sweeps across the landscape. Mist seems to move just as you have acknowledged and accepted it. The elusiveness of the image matches the elusive nature of the artists process. Delicate layers of pigment carry the viewer back and forth across panoramic vistas, almost effortlessly. These are drawings full of atmosphere beautifully executed by an artist at the very top of his game.
Gordon Brown, May 2018